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Gothic Hairstyles Include Clip-In Gothic Hair Falls By Liza Lee gothic hair falls For gothic hairstyles, consider clip-in hairpieces before choosing more permanent solutions such as hair coloring, bonding, weaving, protein tips or mini-locks. That’s because long term changes to your hair color or hairstyle causes damage from bleaching and other chemical processes. With colored Gothic hair falls or Gothic hair extensions, there’s no risk at all. And if you don’t like the fake hair, you can remove them immediately. Unlike more permanent Gothic hair extensions, which are attached to the hair professionally and stay in for roughly three months, the clip-in Gothic hair falls can be removed instantaneously. Therefore, you have more choices in changing your hairstyles. You can clip Gothic hair falls in and change your style literally every day by ordering different colors, textures and lengths. Clip-In hair falls are more affordable and are suitable with most hair types. They take only minutes to put in and seconds to take out. Unlike permanent hair extensions, they do not result in hair breakage. Clip-In Gothic hair falls make it easy to have long, thick hair in a matter of minutes with no more waiting around for your hair to grow out. Synthetic hair falls are more affordable than human hairpieces and are a great way to achieve a unique look for an event. Synthetic hair fiber is low maintenance and the style and color will not change when washed in cold water, if you are caught in the rain or if you live in a humid climate. With the exception of a few heat-friendly synthetic fibers, you will not be able to change the style of your synthetic Gothic hair falls using heating tools. Synthetic hairpieces or Gothic hair falls come in a wide range of colors with multi-dimensional tones to blend with your own hair. Synthetic hair fibers are lightweight and fine to mimic the look and movement of 100% human hair. If your Gothic hair falls is properly maintained, you may get a minimum of one to three months wear. Or you may opt for 100% human hairpieces over synthetic if you a more natural-looking hairstyle. 100% human hair reflects light just as your own would, so you cannot tell where your hair stops and the human hairpieces continue. Also, you can use heating tools with real human hair falls. When properly cared for, 100% human hairpieces lasts much longer than synthetic ones and maintain their beauty for a year or longer. See gothic hairstyles tips and more information at http://www.goth-style-secrets.com Liza Lee Goth-Style-Secrets http://www.goth-style-secrets.com

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gothic-shoes Gothic Shoes – What’s Hot? By Owen Ticker Want to dress in an unconventional style for a party tonight? Want to know what’s hot? Go for a Gothic makeover that can groom you into a cynosure of the party. Gothic shoes, coupled with matching dresses, are reminiscent of the medieval period. Both the sexes can generate a hot appeal, as the primary shades used to design these dresses are black and red. With the vibrant colors on your feet and body, you can wear a charismatic look that is bound to stun the rest. When it comes to Gothic shoes, spooky and mysterious looks are always a priority, especially laced up shoes with studded details. Buckle shoes with coffin heels are a big craze in the Gothic shoe stores. Unisex shoes include a variety of leather boots with steel zippers and platform heels. All you women out there! Pick up one lace fronted ankle shoe or glittering red Gothic boots from a popular brand to outshine others. While men can hunt only for black and burgundy, as these are the only two hot colors available currently. Gothic dresses are accentuated better with a combination of red, purple and crushed velvet. To highlight your shoes and dress, you can opt for a rich make-up with smudged eye shadow. If you want to wear the dramatic look of the Victorian era, then there is no better option than these glamorous fabric dresses. The dramatic look can also be generated when you are heading for a theme party or an occasion where lights are dim, generating a mysterious feeling. There is a series of online stores that have an inventory of gothic shoes and dresses available at reasonable rates and attractive discounts. You can scroll through any of these and select the right sort of retail outlet that can present you with the ideal combination which can go well with your physique and skin tone. Get your pair of Gothic Designer purses here on http://www.pursesnbags.com

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Crypto-Criminology – The Gothic Nature of Crime

By Randy Gonzalez

Crypto-criminology refers to the dark, devious and dangerous side of human nature. That strain of humanistic proclivity that crosses the boundaries of civility into brutality. This is a realm of “practical criminology”, applicability to the real world, where human behavior defies profiling, prediction and precise definition. Such an investigation descends to the depths of human depravity, to damp gloomy dungeons of mental mayhem. For which, modern science has no useful, effective and efficient means to explain all the possibilities. Of course, myth, magic and metaphor are allusions constantly present within this region of discussion. In one sense, it’s the exploration of human evil and all its inherent manifestations. And, in another sense, crypto-criminology seeks to delve into the mystery of why people commit crimes. This is an assessment of criminal behavior to walk the eerie landscape of human deviance that foments criminality. The search for modern explanations includes consideration of the influence of “gothic metaphors” in literature, movies and other mass media. As such, “crypto” refers to the hidden, the secret and the unrevealed. Like the word “gothic”, reference is made to the primitive and primeval notions of human nature. A world of howling psychic werewolves, dreams of death and demonic influence. That subterranean mindset of monstrous meanings, vampiric violence and cunning cruelty.

In similarly related aspects of study, there is the term cryptozoology. This often refers to the investigation of unknown or missing “animal” life forms. From this point, we could extrapolate that “crypto” suggests the hidden, secret and mysterious nature of living things. By connection, there are also the elements of knowing, studying and understanding unexplained phenomena. Such a notion aptly concerns the field of criminology. To this day, we have a multitude of so called schools of thoughts. All of which fall short of satisfactory explanations. The result has been a misguidance of social policy, public confusion and failed application within the criminal justice system. Fact merges with fiction, and contemporary society flounders in the flawed chase of illusion and fabrication.

As truth becomes entangled with untruth, metaphors assert their presence to stumble at clear-cut rationalizations. The more we label, define and profile people the more we find the difficulty in understanding the commissions of crime. So, the pursuit of the inexplicable nature of humans follows the mystifying pathways of baffling occurrences, bizarre incidents and sordid acts of debauchery. “Crypto” pursues the macabre mind, especially in terms of primal existence, event selectivity and criminal causality. People make premeditated choices to commit crimes. Even the most atrocious acts of violence are planned and carried out with a uniqueness of logic and rationality. Yet, we stand in awe, shock and horror when such things occur. Maybe its because we see a sense of ourselves in the violence, aggression and destruction. In this sense, crypto-criminology is presented as a mental mechanism by which to pursue a course of study in deviant behavior. And, as a consequence, that behavior that causes injury, trauma and death. By inquiry into the strange, perplexing and complex nature of criminology, we find the seductive connectivity to gothic notions of fable, legend and allegory. Suffice it to say, the secretive, dark and shadowy mental process of human behavior remain elusive to various fields of the “pseudo sciences”.

In particular, the nature of evil eludes the precision of definitive understanding or specificity of prediction. It remains dark and buried in the fantasy of myth, magic and daydreams. So, in the realm of practical criminological issues, we look for alternatives on multi-dimensional levels. Avenues of the chase bring the forefront premeditated capers on fringes of the exotic, the supernatural and the gothic. Or, preferably the ever-expanding realm of “crypto-criminology”. These cerebral processes engage in the eternal warfare of balancing the struggle between good and evil. Myth, magic and metaphor surface in watery illusions of psychic aberrations. As we think, so do we act. To know, be and do is human nature. When we fantasize, we also want to touch, feel and sense the manifestations of our creativity. Take it from one dimension to another. Lift it out of the psyche into the real world.

Looking in the mirror, ours is a reflection of what the face of evil looks like. Criminals are us and we are them. The only difference, some control their behaviors, while others choose not to. We’re the lone gunman on the grassy knoll. And, we’re also werewolf hunter with the silver bullets, stealthily stalking in our own delusions. For us, ghouls, specters and phantoms huddle in the hidden caverns of the brain’s special mirror, the mind. Figments of imagination find eventual fruition in urges, desires and motives. Gloomy thoughts hunger after the lust of life and the opposition of death. The study of crime, criminals and criminalistics, should never cease searching the limitless spires of human thinking. Crypto-criminology asserts a developing foundation of inquiry into the deep murky projections of mental reflections. And, in this eternal quest, our sleight of hand tactics become one of answering which is the final question. Is it a who done it? Or, is it a why done it? If the latter, then why?

For a basic investigative query, we flip the pages of the basic continuum in the who, what, why, where, when and how? Open minded, interdisciplinary and logical, we should consider the mischief afoot by following rigorous investigative efforts, insights and intuition. This enigmatic inquiry presses toward the cagey weirdness of human beings. If, as some suggest, we’re “mind hunters”. And, the mind is an illusion the brain conjures. Then, aren’t we really hunting something that doesn’t exist? An apparition from the abyss of human ideation, deep in the caverns of the cerebral processes? From religion to science, and everything in between, we baffle ourselves. Questions remain unanswered in the quest of greater understanding of human personalities, motives and proclivities. By dreams and fantasies we create our inner world, which transforms at a constant rate. Figuring out deviant behavior becomes one of speculation and educated guess work. Most of which, we can’t begin to comprehend. The vast reaches of the mystery confound the scientist, the priest, the press and politicians. When relegated to the philosophical regions of metaphysics, such as religion, the universe of ideology is wide open to speculation. The dreamscape of the dominion of human darkness invites the images of vampires, werewolves and demons. Supernatural entities exude a kind of special attachment in our furtive trickery cryptic mental wanderings. The human puzzle has a multitude of pieces. Putting them all together occupies a timelessness that never ceases. In an evil world, anything is possible. Even the surprising strain of goodness.

Overall though, we struggle in criminology to establish accurate measures of human behavior. Confused by one theoretical constructs after another, we reach for myth, magic and metaphor to express our frustrations in finding the ultimate answer. And still, we have to accept that human evil stems from human thinking. A medieval realm cloaks the desires, motive and intentions of the things we do. At the same time, various “schools of thought” contend with controversial notions pertaining to core essence of human beings. Such is the sensual realm of good and evil, vice and morality, normal and abnormal, natural and deviant. Wickedness, malevolence and immorality touch every level of society. Human hypocrisy colludes to cover and conceal exposing truths. Contemporary explanations of criminal behavior have failed, yet some cling to simplistic notions and deceptively easy solutions. Fad, fashion and quick fix foster the inadequacy of effective explanations. From biological theories to sociological configurations, the search for precise determinants of our criminal nature cannot deduce a specificity of factors. Instead, what we have is a multiplicity of academic theories subject to wide speculation. We’re left with stumbling in pursuing the darkness of human inclinations. Thus, we put on our black capes, grab crucifixes and holy water. Pick up wooden stakes and load silver bullets to become “mind hunters” to “hunt monsters”. To which, we discover the complications of the human safari. Hiding in the psychic landscape is the brain’s creativity, which is an illusion for mysterious cryptic cerebral processes.

Within the complexity of human behavior, resides the potential for criminality in all of us. Influential in this process of individual ideation, is the role of religious beliefs and associated philosophical ideologies. All over the world, people of different faiths, practices and rituals project personifications of evil, devils and demons. It is reflective in the expressions of our assorted world-view. We relish in seeing badness on the outside and never on the inside. Our mental housing keeping is very private. Thus, seeing God and Satan in mortal combat mirrors the Jekyll-Hyde constructs of our own personalities. To this end, wicked forces are seen to walk the earth, tempting men and women to do deviant things. Variations of “evil figures and forces” reflect cultural assertions about human nature in a planetary scheme. So, the ideas of dark images, primitive urges and gloomy scenery persist in our thinking about crime causation.

This duality of thought, good versus evil, portrays the ongoing allegory of our cosmic struggle. Such notions influence our reference points about the nature of crime. The who done it is always a why done it. Motive marks the myths of our thoughts. Often in the assorted media, we allude to the temptations of dark side of human behavior. In doing so, our fairy tales mingle with reality and merge fact with fiction. In chasing urban legends, we conjure up “vampires or werewolves” to explain deviance and criminality in others. Folk tales, fables and related stories evoke images of imaginary manifestations. The dungeons of our mind mirror the psychic proclivities of our personal seductions. We allow ourselves to be pulled toward the covetousness of our gain. From the yarns we spin, the chronicles of our thoughts hold the secrets relative to our motives and intents.

Crypto-Criminology takes us into these mental archives where we’ve filed our allegorical enchantments. The cryptic logic, by which we rationalize, excuse and mitigate atrocities, resides in this subconscious surreal realm of belief. Such prurient carnality lives in the vast legerdemain of our psychic. We don’t want to think about the nature of our own inherent inclinations. Our penchant toward shadowy selfishness, conceited and deviant activities, is worrisome and makes us anxious. But, we are the demons and they are us. Our self-interests come before those of others when ever possible. We’ll go to any lengths to get what we want, when we want. To fulfill the fantasies of our ideation, people are capable of any act of debauchery, defiance and deception. Nefarious deeds know no boundaries in the darkened tunnels of the human mindset. Given the pervasive extent of contemporary media forms, criminological fact has folded behind the curtains of fictional depiction. The visualization of a conception of evil has become a contemporary preoccupation in both story telling and real-life. Its linkage finds the pathway to the unconscious regions of mental processes. Mystifying conduits between fantasy and reality surround the senses. Our thinking provokes intrusion into consciousness. Once there, we find ways and means to project the expressions of the psycho-drama taking place within. The darkness of human spirit ignites the flames of a personalized “holy war” in the struggle of individual good and evil. In the shaded gloominess of the dark encounters, ours is the face of enemy which we created in our own image. Accordingly, the search continues for a comprehensive revelation concerning this perplexing species called humankind.

References:…

“Crime and the Gothic: Sexualizing Serial Killers”, by Caroline Picart, Florida State University, 2006 – School of Criminal Justice, University at Albany, Journal of Justice and Popular Culture;

Peck, M. S., People of the Lie – The Hope or Healing Human Evil, (New York, NY: Simon and Shuster, 1983), pages 40-41;

Schmalleger, F., Criminology Today – An Integrative Approach – Fourth Edition, (Upper Saddle River: Pearson-Prentice Hal, 2006) page 173;

Baumeister, R. F., Evil – Inside Human Violence and Cruelty, (New York, NY: W.H. Freeman and Company, 1996), pages 66-67;

Keen, Sam, Hymns to an Unknown God – Awakening the Spirit of Everyday Life, (New York, NY: Bantam Books, 1994), pages 60-61;

Biographical Sketch of Randy Gonzalez
P.O. Box 19162
Sarasota, Florida 34276
941-915-8998
http://www.drgonzo.org
http://www.myspace.com/cryptocriminology

Randy Gonzalez has been an active member in the criminal justice field for the past 32 years. As a police officer, deputy sheriff and police instructor, he’s taught and written on various criminal justice issues. Dr. Gonzalez is a former police chief. And, as a police academy director, he was responsible for basic recruit training, as well as career development courses for in-service law enforcement personnel. Dr. Gonzalez also serves as an adjunct professor of criminology on the faculties of a state university, community college, private university and local technical institute. He serves as an educational consultant to schools and colleges on matters of law enforcement education.

Dr. Gonzalez holds B.A. and M.A. degrees in Criminology, an M.P.A. degree in Public Administration, a Ph.D. in Philosophy. As well as law enforcement instructor certificates. He’s a member of various professional organizations and writers groups.

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Time
Saturday, December 11 at 8:00pm – December 12 at 12:00am

Location The Hidden Castle
1309 SW 24th Avenue
Norman, OK

Created By

More Info
Come one, come all! Welcome to the Oklahoma Steampunk Expo’s 2nd Fundraiser, now with a Christmas theme!

This evening Fundraiser will be not only helping Oklahoma’s hottest new convention, we will also be accepting monetary/other donations to the following organizations:
*Regional Food Bank of Oklahoma
*Toys For Tots
…*Operation Homefront Oklahoma
Please make sure when donating items, they are new, unwrapped, and non-perishable. :)

On top of all these donations, we will also be hosting Live performances from 8pm to 12am! Belly dancing from Aalim Dance Company, Sideshow performances by Scheheraz’Odd, Magic by Troy Scott, and fantastic live music by O Fidelis!

Door charge is only $10.00! So please come out and support your local businesses and non profit organizations trying to keep Oklahoma going strong!

~The Oklahoma Steampunk Exposition, April 15-17, 2011
http://www.oklahomasteampunkexpo.com/

***The Hidden Castle is located on SW 24th JUST south of Lindsey Ave. If you’re going South on 24th, it will be the FIRST left turn (Briggs St) just after Lindsey Ave!***See More

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Saturday, October 30 at 6:00pm
Re:Mission Entertainment Presents Oklahoma’s 6th Annual
ASSIMILATION HALLOWEEN BALL

Music Provided by:
…DJ Bone!!
DJ DeathJest
End: the DJ
DJ Parasight
DJ Sokmonkey
DJ Protokol
DJ Stigmatik
DJ 950 David

Sci-Fi/ Horror Visuals provided by:
VJ Xylo Sesame
VJ William

Lighting Provided by:
Industrial Light and Lasers

Hosted by:
DJ Infam0us
Specter

Vending by:
Re:Mission Entertainment
Underground Horror Fest
Captain Benjamina’s Salvage Emporium
Crinfam0us Productions
+ many more TBA

COSTUME CONTEST
FREE GIVEAWAYS
CASH PRIZES!!!

$6 Advance or in Costume
$10 without Costume

$3 Entry for Zombie Walk 2010
and with Powerman 5000 or Freakers Ball
Wrist!

Tickets on sale at:
Assimilation (Tulsa)
Synthetic Sundays (Tulsa)
Starship Records (Tulsa)
Size Records (OKC)

ALL AGES – 21 to drink

$3 wells, $2 domestic
at the Hunt Club w/
Assimilation wristband

THE MARQUEE
222 N . MAIN ST.
TULSA, OK 74103

Sponsored by:
Metropolis Records
COP International
Vampirefreaks
Shinto Records
Welt Musik
Cryoflesh
Darkfaery Subculture Magazine
Auxiliary Magazine
Underground Horror Fest
XtraX Underground Fashion

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DFSM/Oklahoma Steampunk Expo @ the Ghouls Gone Wild Parade

Time
Saturday, October 23 · 5:00pm – 10:00pm

Location NW 12th St & N Walker Ave
Oklahoma City, OK

 

More Info
Are you ready for the greatest dark carnival of 2010? We have our own airship and we are looking sky pirates to fly the breeze with Darkfaery Subculture Magazine and the Oklahoma Steampunk Exposition. All we need is a few hands on deck to guide us through the heavens and deliver sweet mana to the starving masses. (Pass out candy to thousands of trick or treating kids) :)

All that is required of you is that you show up in costume… and meet us at 5pm Saturday the 23rd of October at NW 12th St & N Walker Ave in Oklahoma City, OK and look for our airship boldly displaying the Oklahoma Steampunk Expo on its tattered sails and plod along with us as we plunder the airwaves.

You must be 18 and over and in costume. Feel free to be as creative as you wish on your costume our theme is carnival, faery, steampunk, horror, pirate, funeral, lolita, gothic but the imagery is all yours. Our musical Guest will be Christophe & the Pallbearers so join us and show your support for the band! We high encourage poi, belly dancing, and lots of glowing.

sponsored by

http://www.oklahomasteampunkexpo.com/

http://www.darkfaery-subculture.com/

 

http://www.facebook.com/?sk=events#!/event.php?eid=155570417813266

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 SYFY.COM WILL PREMIERE RIESE: KINGDOM FALLING, CRITICALLY ACCLAIMED, AWARD-WINNING STEAMPUNK DIGITAL SERIES, BEGINNING TUESDAY, OCTOBER 26

NARRATED BY SANCTUARY’S AMANDA TAPPING

Stars Christine Chatelain (Sanctuary), Ryan Robbins (Caprica), Sharon Taylor (Stargate Universe), Ben Cotton (Harper’s Island), Alessandro Juliani (Battlestar Galactica) and Allison Mack (Smallville)

NEW YORK – October 13, 2010 – Marking a major expansion of its original content, Syfy.com will premiere the award-winning, steampunk digital series Riese: Kingdom Falling beginning October 26, on syfy.com/riese every Tuesday and Thursday, it was announced today by Craig Engler, Senior Vice President/General Manager, Syfy Digital.

The critically acclaimed Riese: Kingdom Falling is distributed by Fireworks International, the television and digital distribution arm of ContentFilm plc. Each episode runs approximately seven to eight minutes.

Narrated by Amanda Tapping (Sanctuary), the 10-part series stars a cavalcade of talent from the world of popular speculative drama including Christine Chatelain (The Bone Collector); Sharon Taylor (Stargate Universe); Ben Cotton (Harper’s Island), Allison Mack (Smallville); Ryan Robbins (Caprica); Patrick Gilmore (Stargate Universe); Alessandro Juliani (Battlestar Galactica) and Emilie Ullerup (Sanctuary).

The series will also be available via Sony’s PS3, Microsoft’s Xbox and Amazon.

Said Engler: “We saw Riese and thought they had done just an amazing job, and then we were able to give them some resources and bring Amanda on board to really help them take the series to the next level. I think new and existing fans will love the relaunch of the series onSyfy.com and enjoy all the new additions.”

Steampunk is a sub-genre of science fiction and fantasy that features anachronistic technology and design elements, often from Victorian-era Britain.

Riese:Kingdom Falling won the Streamy Award for Best Cinematography in a Web Series with a further three nominations for Best Sound Design, Best Foreign Series and Art Direction. The series was shot in Vancouver, BC, created by Ryan Copple and Kaleena Kiff, and produced by Galen Fletcher and Nicholas Humphries.

ABOUT RIESE;KINGDOM FALLING

Eleysia is a dying kingdom where resources are dwindling and compassion is fading. Distrust and anxiety have clouded people’s minds, causing a regression into primitive ways of thinking. People have grown restless, almost feral. Rituals and mythology have resurged, and the darker side of mankind has begun to reveal itself.

Riese (Christine Chatelain), a wanderer, travels across the decaying lands of Eleysia with her wolf, Fenrir. Marked as a heretic by religious group The Sect and the new Empress, Amara, Riese must evade their assassins and discover their true intentions for Eleysia.

Riese is the Crown Princess of Eleysia, forced to flee into the wilds after her family was slaughtered. She will soon serve as a catalyst for a disparate group of supposed heretics, the Resistance, launching them into civil war.

About Fireworks International

Fireworks International is Content Film’s international television and digital distribution division with over 3,000 hours of high-quality and commercially appealing programming including an extensive slate of major drama series, non-fiction entertainment, kids live action comedy and drama series, TV movies, mini-series and special event programming. Recent additions include comedic drama series, REPUBLIC OF DOYLE, primetime drama series, THE BORDER and heart-warming family drama series, HEARTLAND; non-fiction primetime documentary specials HUNTING THE LOST SYMBOL and I KNOW WHAT I SAW; U.S. tween comedy THE ASSISTANTS; high definition multi-platform thriller series VALEMONT, GIRL NUMBER 9 and Sci-Fi thriller, RIESE; new children’s programmes HALF MOON INVESTIGATIONS, FAMILY BIZ as well as the classic anime series, ROBOTECH; plus over 200 U.S. network mini-series and TV movies; and specials including the Annual U.S. PRIMETIME EMMY AWARDS show. This new product is combined with the large and valuable Fireworks library catalogue, which is complemented by a raft of formidable television shows including Gene Roddenberry’s ANDROMEDA, MUTANT X and RELIC HUNTER.

Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures),Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in more than 96 million homes, Syfyis a network of NBC Universal, one of the world’s leading media and entertainment companies. (Syfy. Imagine greater.)

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Quick Notes:

Please try and remember that the deadline for DFSM is the 27th of every month and let me know if you are going to make submissions. If you have something you've been wanting to write or photograph this would be a great issue to do it with. Submit your ideas and suggestion or work to duvy.dfsm@gmail.com

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