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Something far ranging covering a variety of topics or answers (i.e. “a general response”).

Peter Cushing, The Gentleman Of Horror

By Alan To

With his prominent cheek bones, sunken cheeks and aquiline nose, Peter Cushing is undoubtedly one of the most striking and iconic faces in the history of horror films. Coupling his dapper physical appearance with his quiet, well-spoken manner, Cushing has often been described as “the gentleman of horror.” As a lifelong Peter Cushing fan, I would certainly agree with that appellation, as I believe he brought a certain kind of class and inherent quality to each role he played, be it a horror part or otherwise.

My earliest memories of watching a Peter Cushing movie go back to the late sixties, when I first saw him in the Hammer horror movies I grew to love so much. As a small boy staying up late to watch Appointment With Fear every Monday evening at 10.30 pm, I was instantly struck by this fantastic British actor with the compelling face, a man who could play either Baron Frankenstein or Dracula’s arch nemesis, Dr Van Helsing, with equal charm and charisma. In those far off days, I had to be content with an old black-and-white TV set, so watching Mr Cushing in that context was thrilling enough in itself. But then, when we finally got our colour telly in 1975, and I was then able to view all those wonderful Hammer horror movies in glorious technicolor – well, that was an even bigger joy than my initial exposure to them on my old black-and-white set way back in the sixties!

It wasn’t just the Hammer movies that I loved Mr Cushing in, for he did make some excellent appearances in the Amicus films too. Amicus were the main rivals to Hammer when it came to producing top-quality horror movies, and my favourite Cushing role in these portmanteau films was that of the tragic ex-garbage man Arthur Grimsdyke in Tales From The Crypt (1972), who is hounded into committing suicide by the cold-hearted actions of a snooty neighbour, who takes exception to the way Grimsdyke befriends local children and harbours dogs in his house, picking dirt out of what is, after all, just a simple case of a lonely, harmless old man playing the kindly uncle to the local kids. This is, without doubt, one of Cushing finest roles, and I really felt sorry for Mr Grimsdyke when his tormentor finally drives the poor old man to hang himself. But of course, this being a Cushing horror movie, and one where the character has been tampering with a Ouija board, it didn’t all end there, for one year later, the rotting corpse of Grimsdyke rises from the grave to exact a grisly revenge on his ruthless neighbour, ripping out his heart and leaving it for his shocked father to find the next morning, wrapped up in a blood-soaked cloth bearing a Valentine’s poem written in blood. Classic Amicus stuff!

Next to all his Hammer movies, the Cushing Amicus films take special pride of place on my DVD shelf. Whenever I look at my DVD collection, I often think to myself that when I used to watch Peter in all those fantastically creepy films years ago, I never once thought that one day I would actually own them all in this format, always there to watch whenever I want to.

It wasn’t often that Peter Cushing played a baddie, but when he did, he could really impress, just as unforgettably as he could when he played the kindly gentleman roles. The movie that sees Mr Cushing at his most ruthless and nasty is, for me, the 1969 classic Frankenstein Must Be Destroyed. In fact, of all the Frankenstein films he starred in, this is the one that really portrays the Baron at his darkest, stooping to such shocking acts as rape and murder. He blackmails a young couple to assist him with his ever-fanatical experiments, and when the girl, Anna (played by the lovely Veronica Carlson), inadvertently sets the monster free, he cold-bloodedly knifes her to death. Alongside the tragic image of poor Mr Arthur Grimsdyke hanging by his neck in Tales From The Crypt, the scene where poor Anna is lying dead with Frankenstein’s scalpel protruding from her stomach in Frankenstein Must Be Destroyed certainly ranks high in my list of Cushing movies which have the most shock value.

Of course, everybody knows that Peter Cushing did play many other roles outside the horror genre, and has appeared in countless stage productions portraying such literary characters as Mr Darcy from Pride and Prejudice. Oh yes, and who could forget his occasional guest appearances on The Morecambe and Wise Show, where he persistently harassed the two comedians for his “money.” However, it is for his awesome performances as Baron Frankenstein and Abraham Van Helsing, along with all his other horror roles, that I shall mostly remember him. He made those parts his own – just as his great friend Christopher Lee did with Dracula and Boris Karloff did with the Frankenstein Monster – and nobody, but nobody, could fill his shoes in that respect.

The horror movie industry of today is, sadly, a much poorer place without Peter Cushing, the “gentleman of horror.”

http://www.trueghoststories.co.uk

 

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dfsm.org is offline temporarily while I build a whole new site with new graphics and artwork. In the meantime we would love for you to view our Magazine. We are looking for talented volunteers to help us with writing, art, reporting, blogging and thinking up new ways Darkfaery can be a better source. Let us know if you think you can help us.

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You’ve probably noticed that we’re three issues behind and there haven’t been any Darkfaery updates in a while. Do not worry, the new issues are on their way. I got injured in mid-June and it’s been hard for me to work at my desktop. Even as I type this my shoulder is burning with pain. That aside, the smooth operation of Darkfaery requires the volunteer work of a fantastic group of people who donate their time and lives to make this thing happen. You see Darkfaery isn’t just a magazine, it’s a family, it’s a way of life, and it’s a new world where anything and everything can happen. It’s so much more than I ever dreamed it would be when I started printing a crappy little zine from school and work printers just to be able to afford it. I want to take some time to thank the people who work the hardest.

Trista, you filled a spot at Darkfaery that needed a leader. The Darkfaery Girls was always a footnote of something that needed to be done and you came out of nowhere with your ideas and really brought it together. I can’t imagine the Darkfaery Girls being able to continue without you so I hope you don’t get bored with it.

Maynard, your writing skills have made the last few issue more interesting and I look forward to your choices of articles and what you might weave next with your craft. I hope when you finish your current projects you have time to write for us again. I feel you brought more culture and insight to our group.

Pandy, the free time you have for Darkfaery is rare but you always manage to put in good ideas or cash donations and we would sell a lot less at the booth if you didn’t use your skills to help us. You don’t give yourself enough credit. You deserve a cookie.

Joyce, your flare for promotion has brought us many fans over the years. you have a knack for charm and poise that is unrivaled and if you can just believe in yourself more you can take the world by storm. I do believe in faeries.

Rachel, your photos have made Darkfaery a much better source of eye candy. Even though you are across the globe from us our ideas are similar and your vision of beautiful girls fits our plan perfectly. Thank you for all of the great cover art.

Laura, you haven’t been with us long but already we depend on you. I don’t know if that is a good thing or a curse. I leave that up to you.

Z, until you came along Darkfaery was in tatters. It was like so many of my unfinished projects just sitting in the shadows collecting dust with no goal or direction. Your belief in me through the times of my failure to believe in myself have made this group what it is. Your love and time is what has made it possible for me to invest that love and time into other people and provide them with something to dream about and have hope for. You may not get much credit for the things you do and put in, but don’t think I have forgotten how much these things mean to us.

All this having been said; we are looking for more people to add to our team constantly, if you have time to volunteer and are not afraid to be yourself or get out in the world and try we need you. We need writers, artists, film makers, crafters, artists, musicians, and performers to make this thing work. We aren’t worried about your skill or training or how you look but rather how you think and how you look at things. All of us were just starting out at some point. You don’t have to be experienced; you just have to be ready to experience. If you feel you may be able to bring something to our vision please feel free to contact us.

Until next…I remain…
Duvall Gilchrist-Montgomery

Duvy’s email: duvy.dfsm@gmail.com
Duvy’s Facebook: www.facebook.com/duvy.dfsm

Trista’s email: TristaLou@Darkfaery-Girls.com
Trista’s Facebook: www.facebook.com/TristaLou

Darkfaery Subculture Magazine sites:
www.darkfaery-subculture.com
www.magcloud.com/user/duvy
www.issuu.com/darkfaerysubculture

Darkfaery Girls:
www.Darkfaery-Girls.com
Myspace: www.myspace.com/darkfaerygirls
Facebook: www.facebook.com/darkfaerygirls
Facebook Group: darkfaerygirls@groups.facebook.com

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Written by TristaLou

First off you might be wondering, “What is a Darkfaery Girl?”.

Simply put, they are spokesmodels for Darkfaery Subculture Magazine. Their goal is to get the word out about DFSM and let everyone know about this local almost underground magazine. I say almost just because once you step into our world it’s not so underground. It’s actually a pretty prominent magazine in the goth/alternative scene locally, and what’s best is we are just getting bigger.

So now you know what a DFG is, but what do they do?

Well DFG’s are entitled to make it to events to do the promotions and help out at the booths. Promotions basically mean handing out flyers, going on stage and even on camera to promote the magazine. While handing out flyers I would like for you to talk about the flyer and/or talk to them about the magazine. I know you can’t talk to everyone, but at least some of the people would be nice. Helping at the booth can include watching the booth, helping setting it up, and/or tearing it down.

Darkfaery Girl Events

Most events are local Oklahoma Events, here in the OKC area, but we also have a lot in the Tulsa area as well. We want all girls to try to attend every event possible, but we are also understanding about family and financial obligations. Say your a Tulsa girl and you can’t make it to the OKC area event because you just don’t have the finances….Just let us know and we will be understanding. But please make it to every event you can. Missing multiple events can result in suspension or even asked to leave the DFG’s. This is especially true when you do not let us know why you could not make it.

Most events are conventions and concerts. Conventions are usually SciFi and/or Horror related; even some Steampunk conventions. Concerts are usually rock, dance, techno, goth, and many other types of music.

Perks to being a DFG.

The first big perk is getting to attend the events. We try to have at least one event each month, but some months there could be more or even none. We need 3 to 4 girls to attend these events and which girls will be determined on a first come first serve basis. As for the cost of these events, we strive to get the DFG’s in at a cheaper rate or even sometimes free. This, however, is not always the case and should not be expected at every event as some events just won’t allow it. But for me, I love the excuse to go to the events. I am the type that I will sometimes miss events I really want to go to just because I choose not to mess with it. But when I have the excuse of, “The DFG’s need me” it get’s me motivated to go when most likely I wouldn’t have.

As I have mentioned before, there are also booths at most events. As a DFG you are allowed to sale items that you have that you do not want anymore or have made at the booth. Just be sure to pay for some of the cost of the booth, those costs can get rather expensive at times. Also please be sure to only sale new and lightly used items. The booth is not to be looked at as a garage sale.

In addition, there are photo opportunities. You will have many pictures taken of you at these events and when possible we will set up photo shoots for you.These photos will become the sole property of the magazine and can only be used in other publications with the permission of Duvy (editor and owner of the magazine). You can, however, use these pics how you choose on social media sites of your choosing.

Are you a writer? You can also submit any of your work to Duvy to be published in the magazine. This for me is another one of my favorite perks. I have been writing for the magazine for quite some time and love having this creative outlet. It gives me great pride to open up the magazine I promote and see a story or article written by me. Same rules apply to these written works as well. Once published in the magazine they cannot be used in any other publications without permission. Deadline for content to be sent in is the 27th of every month.

Now with all the talk of permissions you might be freaking out, but Duvy is a very easy going person and will most likely give that permission with no problem. I, myself, have had an article or two published in another magazine that was originally published in DFSM. You will come to find out that Duvy and even I are not too hard to work with. We do not deal in drama and avoid it at all costs.

Now this is the best perk of all for me: When you become a DFG and do your part you become part of the DFSM family. We stick together and help each other out. We even get together and do birthday parties and such. We are no strangers to having a good time and love to just relax and hang out. It is so great to have this group of friends that you can truly call family as well.

Other perks include, your own Darkfaery-Girls.com email address and your own page on Darkfaery-girls.com.

Regulations to be a DFG.

*You must be 18 or over

*You must live in Oklahoma (some exceptions).

*You have to be willing to show up to most events for the promotion of DFSM. This does not mean just a few! You have to be reliable!

*You have to be yourself! This is very important. We want you to have fun and be comfortable in who you are. We take all shapes in sizes of women. Tattoos are a plus! Also make sure you really have a love for this lifestyle!

Okay so if all that sounds good to you then we will need you to add us as friends on Facebook and send us a message with the subject being “Application” or send this information to TristaLou@Darkfaery-Girls.com. In the application you will need to include…….

*2 or more pics for us to view. If you are chosen, one of these pics will be posted into the Darkfaery Girls album. No pics of complete nudity! Semi nude is fine as long as it’s done with class and not exposing all of your goods. Also, the pics need to be somewhat professional quality. No normal “myspace” pics.

*Your name and age

*Darkfaery Girl Name you have chosen to use (you can use your real name if you want)

*A short bio of yourself. This will be posted on the site as well, so make sure this is something you want others to know about you.

*Why you want to be a Darkfaery Girl

An application will also need to be filled out at your first meeting and must be filled out before your first event.

Now for the Rules…..

There really aren’t many rules and most are rules that should be obvious when you are representing a business.

When at events please dress appropriately. If it is a themed event it would be great if you dress in that theme. But really we are not to picky in this area, just do your best to match that theme and you will do fine. If it’s not themed we just ask that you don’t look a mess or God forbid dressed like a preppy. :)

Most events are over 21 events and there will be a lot of drinking and partying. You are allowed to have fun, but please do it in moderation. We don’t need girls that get too drunk to be of any use or help. It also makes the DFG’s look bad, so just don’t do it. Drugs are not tolerated. I don’t want the DFG’s associated with drugs at all.

There are some events that we attend that are all age’s and even family friendly. We ask that you be mindful of the kids and be respectful.

When you become a DFG I will add you to the DFG Facebook group. You must check this often!! I can not stress this enough. This is our lifeline to the DFG’s.

Information and Sites to know.

Duvy is a name you will hear a lot. She is the owner, editor, and creator of the magazine. You will send her any content you might have for the magazine at her email address.

Duvy’s email: duvy.dfsm@gmail.com
Duvy’s Facebook: www.facebook.com/duvy.dfsm

TristaLou

, I am the Manager of Promotions as well as head Darkfaery Girl. I run the DFG’s and any questions and concerns can be sent to my email address or even on Facebook.

Trista’s email: TristaLou@Darkfaery-Girls.com
Trista’s Facebook: www.facebook.com/TristaLou

Darkfaery

Girls Sites:

Darkfaery Girls main page: www.Darkfaery-Girls.com
Myspace: www.myspace.com/darkfaerygirls
Facebook: www.facebook.com/darkfaerygirls
Facebook Group: darkfaerygirls@groups.facebook.com

Darkfaery Subculture Magazine sites:

www.darkfaery-subculture.com
www.magcloud.com/user/duvy
www.issuu.com/darkfaerysubculture

Thanks for taking the time out to read this information and Welcome to the Darkfaery family!!

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Real Ghosts, Ghost Hunting, and Quantum Physics by Robbin Renee Bridges One of the benefits of a lifetime of afterlife communication is that I know a lot about ghosts … what they are and what they’re not. For instance, they’re not “caught between worlds.” And they don’t need us to help them “move on.” They’re exactly where they’re supposed to be. You don’t honestly think that God, the Creator of the Universe, would leave their eternal fate in your and my hands, do you? You CAN say that they are “earthbound,” but that’s because their consciousness never left the earth. And when you die, yours won’t either. We’re all right here together forever. That’s just the nature of the afterlife. Yes, knowing the laws of the afterlife can make these things a lot clearer. Lately, I’ve been researching what folks believe about ghosts and hauntings. I’ve investigated the investigations. Repeatedly I’ve read, “We don’t use ouija boards, séances, mediums or occult methods.” Yet it’s common for ghost researchers to accept, as an underlying condition of their investigations, the erroneous claims of psychics, mediums, and channels. I’m referring to such concepts as “caught between worlds,” “unfinished business,” “earthbound souls,” and ghost children in distress. At the same time ominous warnings urge vigilant caution in case non-human demons and malevolent entities are encountered. Oh, and don’t forget the Hollywood expression, “Go to the light.” Scientific research can’t be conducted properly on a foundation of superstition. Let me tell you some things that are true about ghosts. Actually there are only two kinds of ghosts: real and not-real. The real ghosts are everywhere. They’re in your home, in your car, in your school, and in your dreams. Ghost researchers call these interactive ghosts. I call them soul-ghosts, or disincarnate souls. I don’t care for the term, disembodied because they do have a body. We just can’t see it for the same reason that we can’t see sound waves and ultraviolet light. They’re outside the range of our sentient boundary. Soul-ghosts are interactive. They reach out to you, and you feel no fear … absolutely none. They envelop you in a blanket of warm fuzzies. Real ghosts can be mistaken for angels. This isn’t a paranormal experience. It’s a supernatural and spiritual experience. The not-real ghosts seem to be everywhere too, but only for people that believe they exist, or at least believe that they might exist. They rarely bother unbelievers. Ghost researchers call the not-real ghosts … residual ghosts. These ghosts seem to defy the Law of Conservation of Matter and Energy because they pop in and out of existence like virtual particles. The appearance of this type of ghost can be explained by quantum physics. From the Copenhagen Interpretation, which states that nothing is real until you look at it, to the holographic theory of the universe, all ghosts abide by the laws of quantum physics. People that experience residual ghosts say that they seem to be caught in a time-loop replaying the same scene over and over. The above mentioned physics also apply to residual ghosts but with the addition of Schrodinger’s equations. For every “now” that we experience, a positive wave flows into the future and a negative wave flows into the past like concentric ripples created by a rock thrown into a pond. The fact that some people experience residual ghosts is due to normal functions of human consciousness. Although some might rather think of it as a “glitch.” Residual ghosts are unusual and fascinating experiences with natural causes. Briefly, a few more types of not-real ghosts are poltergeists, demons, and shadow people. Abnormal psychology applies to poltergeists and demons. The physiology of the eye accounts for shadow people. So, what’s the truth about ghosts? Do they exist? Yes, of course they do. Can the scientific method be used to investigate them? Yes, they use measurable amounts of energy. Can you record their voices and photograph ghosts? Yes, but one needs to be alert to pattern recognition tendencies. The science of ghost investigation has the potential to make a huge difference in a society still tormented by superstition and fear. You have the equipment. You have the rationale. And you have the compassionate desire to help others. Copyright 2005 Robbin Renee Bridges Robbin Renee Bridges, a chaplain and grief counselor for more than thirty years, is the author of numerous published articles and the landmark book, “A Bridge of Love between Heaven and Earth: Self-Induced Contact in the Afterlife.” For more articles about death, ghosts, and the nature of the souls in the afterlife visit http://www.spirit-sanctuary.org

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Crypto-Criminology – The Gothic Nature of Crime

By Randy Gonzalez

Crypto-criminology refers to the dark, devious and dangerous side of human nature. That strain of humanistic proclivity that crosses the boundaries of civility into brutality. This is a realm of “practical criminology”, applicability to the real world, where human behavior defies profiling, prediction and precise definition. Such an investigation descends to the depths of human depravity, to damp gloomy dungeons of mental mayhem. For which, modern science has no useful, effective and efficient means to explain all the possibilities. Of course, myth, magic and metaphor are allusions constantly present within this region of discussion. In one sense, it’s the exploration of human evil and all its inherent manifestations. And, in another sense, crypto-criminology seeks to delve into the mystery of why people commit crimes. This is an assessment of criminal behavior to walk the eerie landscape of human deviance that foments criminality. The search for modern explanations includes consideration of the influence of “gothic metaphors” in literature, movies and other mass media. As such, “crypto” refers to the hidden, the secret and the unrevealed. Like the word “gothic”, reference is made to the primitive and primeval notions of human nature. A world of howling psychic werewolves, dreams of death and demonic influence. That subterranean mindset of monstrous meanings, vampiric violence and cunning cruelty.

In similarly related aspects of study, there is the term cryptozoology. This often refers to the investigation of unknown or missing “animal” life forms. From this point, we could extrapolate that “crypto” suggests the hidden, secret and mysterious nature of living things. By connection, there are also the elements of knowing, studying and understanding unexplained phenomena. Such a notion aptly concerns the field of criminology. To this day, we have a multitude of so called schools of thoughts. All of which fall short of satisfactory explanations. The result has been a misguidance of social policy, public confusion and failed application within the criminal justice system. Fact merges with fiction, and contemporary society flounders in the flawed chase of illusion and fabrication.

As truth becomes entangled with untruth, metaphors assert their presence to stumble at clear-cut rationalizations. The more we label, define and profile people the more we find the difficulty in understanding the commissions of crime. So, the pursuit of the inexplicable nature of humans follows the mystifying pathways of baffling occurrences, bizarre incidents and sordid acts of debauchery. “Crypto” pursues the macabre mind, especially in terms of primal existence, event selectivity and criminal causality. People make premeditated choices to commit crimes. Even the most atrocious acts of violence are planned and carried out with a uniqueness of logic and rationality. Yet, we stand in awe, shock and horror when such things occur. Maybe its because we see a sense of ourselves in the violence, aggression and destruction. In this sense, crypto-criminology is presented as a mental mechanism by which to pursue a course of study in deviant behavior. And, as a consequence, that behavior that causes injury, trauma and death. By inquiry into the strange, perplexing and complex nature of criminology, we find the seductive connectivity to gothic notions of fable, legend and allegory. Suffice it to say, the secretive, dark and shadowy mental process of human behavior remain elusive to various fields of the “pseudo sciences”.

In particular, the nature of evil eludes the precision of definitive understanding or specificity of prediction. It remains dark and buried in the fantasy of myth, magic and daydreams. So, in the realm of practical criminological issues, we look for alternatives on multi-dimensional levels. Avenues of the chase bring the forefront premeditated capers on fringes of the exotic, the supernatural and the gothic. Or, preferably the ever-expanding realm of “crypto-criminology”. These cerebral processes engage in the eternal warfare of balancing the struggle between good and evil. Myth, magic and metaphor surface in watery illusions of psychic aberrations. As we think, so do we act. To know, be and do is human nature. When we fantasize, we also want to touch, feel and sense the manifestations of our creativity. Take it from one dimension to another. Lift it out of the psyche into the real world.

Looking in the mirror, ours is a reflection of what the face of evil looks like. Criminals are us and we are them. The only difference, some control their behaviors, while others choose not to. We’re the lone gunman on the grassy knoll. And, we’re also werewolf hunter with the silver bullets, stealthily stalking in our own delusions. For us, ghouls, specters and phantoms huddle in the hidden caverns of the brain’s special mirror, the mind. Figments of imagination find eventual fruition in urges, desires and motives. Gloomy thoughts hunger after the lust of life and the opposition of death. The study of crime, criminals and criminalistics, should never cease searching the limitless spires of human thinking. Crypto-criminology asserts a developing foundation of inquiry into the deep murky projections of mental reflections. And, in this eternal quest, our sleight of hand tactics become one of answering which is the final question. Is it a who done it? Or, is it a why done it? If the latter, then why?

For a basic investigative query, we flip the pages of the basic continuum in the who, what, why, where, when and how? Open minded, interdisciplinary and logical, we should consider the mischief afoot by following rigorous investigative efforts, insights and intuition. This enigmatic inquiry presses toward the cagey weirdness of human beings. If, as some suggest, we’re “mind hunters”. And, the mind is an illusion the brain conjures. Then, aren’t we really hunting something that doesn’t exist? An apparition from the abyss of human ideation, deep in the caverns of the cerebral processes? From religion to science, and everything in between, we baffle ourselves. Questions remain unanswered in the quest of greater understanding of human personalities, motives and proclivities. By dreams and fantasies we create our inner world, which transforms at a constant rate. Figuring out deviant behavior becomes one of speculation and educated guess work. Most of which, we can’t begin to comprehend. The vast reaches of the mystery confound the scientist, the priest, the press and politicians. When relegated to the philosophical regions of metaphysics, such as religion, the universe of ideology is wide open to speculation. The dreamscape of the dominion of human darkness invites the images of vampires, werewolves and demons. Supernatural entities exude a kind of special attachment in our furtive trickery cryptic mental wanderings. The human puzzle has a multitude of pieces. Putting them all together occupies a timelessness that never ceases. In an evil world, anything is possible. Even the surprising strain of goodness.

Overall though, we struggle in criminology to establish accurate measures of human behavior. Confused by one theoretical constructs after another, we reach for myth, magic and metaphor to express our frustrations in finding the ultimate answer. And still, we have to accept that human evil stems from human thinking. A medieval realm cloaks the desires, motive and intentions of the things we do. At the same time, various “schools of thought” contend with controversial notions pertaining to core essence of human beings. Such is the sensual realm of good and evil, vice and morality, normal and abnormal, natural and deviant. Wickedness, malevolence and immorality touch every level of society. Human hypocrisy colludes to cover and conceal exposing truths. Contemporary explanations of criminal behavior have failed, yet some cling to simplistic notions and deceptively easy solutions. Fad, fashion and quick fix foster the inadequacy of effective explanations. From biological theories to sociological configurations, the search for precise determinants of our criminal nature cannot deduce a specificity of factors. Instead, what we have is a multiplicity of academic theories subject to wide speculation. We’re left with stumbling in pursuing the darkness of human inclinations. Thus, we put on our black capes, grab crucifixes and holy water. Pick up wooden stakes and load silver bullets to become “mind hunters” to “hunt monsters”. To which, we discover the complications of the human safari. Hiding in the psychic landscape is the brain’s creativity, which is an illusion for mysterious cryptic cerebral processes.

Within the complexity of human behavior, resides the potential for criminality in all of us. Influential in this process of individual ideation, is the role of religious beliefs and associated philosophical ideologies. All over the world, people of different faiths, practices and rituals project personifications of evil, devils and demons. It is reflective in the expressions of our assorted world-view. We relish in seeing badness on the outside and never on the inside. Our mental housing keeping is very private. Thus, seeing God and Satan in mortal combat mirrors the Jekyll-Hyde constructs of our own personalities. To this end, wicked forces are seen to walk the earth, tempting men and women to do deviant things. Variations of “evil figures and forces” reflect cultural assertions about human nature in a planetary scheme. So, the ideas of dark images, primitive urges and gloomy scenery persist in our thinking about crime causation.

This duality of thought, good versus evil, portrays the ongoing allegory of our cosmic struggle. Such notions influence our reference points about the nature of crime. The who done it is always a why done it. Motive marks the myths of our thoughts. Often in the assorted media, we allude to the temptations of dark side of human behavior. In doing so, our fairy tales mingle with reality and merge fact with fiction. In chasing urban legends, we conjure up “vampires or werewolves” to explain deviance and criminality in others. Folk tales, fables and related stories evoke images of imaginary manifestations. The dungeons of our mind mirror the psychic proclivities of our personal seductions. We allow ourselves to be pulled toward the covetousness of our gain. From the yarns we spin, the chronicles of our thoughts hold the secrets relative to our motives and intents.

Crypto-Criminology takes us into these mental archives where we’ve filed our allegorical enchantments. The cryptic logic, by which we rationalize, excuse and mitigate atrocities, resides in this subconscious surreal realm of belief. Such prurient carnality lives in the vast legerdemain of our psychic. We don’t want to think about the nature of our own inherent inclinations. Our penchant toward shadowy selfishness, conceited and deviant activities, is worrisome and makes us anxious. But, we are the demons and they are us. Our self-interests come before those of others when ever possible. We’ll go to any lengths to get what we want, when we want. To fulfill the fantasies of our ideation, people are capable of any act of debauchery, defiance and deception. Nefarious deeds know no boundaries in the darkened tunnels of the human mindset. Given the pervasive extent of contemporary media forms, criminological fact has folded behind the curtains of fictional depiction. The visualization of a conception of evil has become a contemporary preoccupation in both story telling and real-life. Its linkage finds the pathway to the unconscious regions of mental processes. Mystifying conduits between fantasy and reality surround the senses. Our thinking provokes intrusion into consciousness. Once there, we find ways and means to project the expressions of the psycho-drama taking place within. The darkness of human spirit ignites the flames of a personalized “holy war” in the struggle of individual good and evil. In the shaded gloominess of the dark encounters, ours is the face of enemy which we created in our own image. Accordingly, the search continues for a comprehensive revelation concerning this perplexing species called humankind.

References:…

“Crime and the Gothic: Sexualizing Serial Killers”, by Caroline Picart, Florida State University, 2006 – School of Criminal Justice, University at Albany, Journal of Justice and Popular Culture;

Peck, M. S., People of the Lie – The Hope or Healing Human Evil, (New York, NY: Simon and Shuster, 1983), pages 40-41;

Schmalleger, F., Criminology Today – An Integrative Approach – Fourth Edition, (Upper Saddle River: Pearson-Prentice Hal, 2006) page 173;

Baumeister, R. F., Evil – Inside Human Violence and Cruelty, (New York, NY: W.H. Freeman and Company, 1996), pages 66-67;

Keen, Sam, Hymns to an Unknown God – Awakening the Spirit of Everyday Life, (New York, NY: Bantam Books, 1994), pages 60-61;

Biographical Sketch of Randy Gonzalez
P.O. Box 19162
Sarasota, Florida 34276
941-915-8998
http://www.drgonzo.org
http://www.myspace.com/cryptocriminology

Randy Gonzalez has been an active member in the criminal justice field for the past 32 years. As a police officer, deputy sheriff and police instructor, he’s taught and written on various criminal justice issues. Dr. Gonzalez is a former police chief. And, as a police academy director, he was responsible for basic recruit training, as well as career development courses for in-service law enforcement personnel. Dr. Gonzalez also serves as an adjunct professor of criminology on the faculties of a state university, community college, private university and local technical institute. He serves as an educational consultant to schools and colleges on matters of law enforcement education.

Dr. Gonzalez holds B.A. and M.A. degrees in Criminology, an M.P.A. degree in Public Administration, a Ph.D. in Philosophy. As well as law enforcement instructor certificates. He’s a member of various professional organizations and writers groups.

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Heroes & Villains Indie Book Fair

1-6 p.m. Saturday, October 9 during the Plaza District Festival

Convergence OKC 1755 Northwest 16th in OKC

From the minds behind the SoonerCon SciFi/Pop Culture Expo conference and Literati Press comes the Heroes & Villains Indie Book Fair! This one day book fair is a celebration of writers and illustrators from Oklahoma and around the region. It is free to the public during the Plaza District Festival and will feature fiction, graphic novels, comic books and even a gaming tournament. The authors, artists presses and organizations are hand-picked to bring you the best in graphic novels, sci-fi, fantasy and horror.

Featuring Guests:

Brian Winkeler - 

‘Knuckleheads’ writer Brian Winkeler is a freelance creative director whose work in advertising has won him over 100 ADDY Awards (including an unprecedented three Fontana Comedy awards from the OKC Ad Club). His comic book property ‘Bastard Road’ has appeared in the Eisner-award winning anthology Popgun and is now in active development as an animated series. He lives in Yukon with his hot wife and their two crazy, awesome sons. If you listen to 105.3 The Spy you’ve heard his work and if you don’t listen to 105.3 The Spy you seriously totally should. That’s 105.3 FM or www.thespyfm.com. Seriously.

Mel Odom - 

I’m Mel Odom.  A lot of people have wanted to know more about me, more about the work I’ve done, and more about the work I’ve got coming out.  I’ll try to answer all those questions.

Those of you who have read my work for a few years have noticed that I tend to have varied interests in my fiction.  I write in a number of fields, but always with the hope of telling an interesting tale that will incite a reader to think for himself or herself, to examine his or her own place in the world, and offer a little nudge in the direction of dreams, faith, and personal growth in spite of whatever odds a person has to face.

I also believe we were all put here for a purpose.  Hopefully, several purposes.  I’m a father, a teacher, a friend, and a writer.  I struggle to keep that balance, as many of us do these days, but I hold tightly to the belief that I’m doing all I can be doing, and doing what I should be doing.

Www.melodom.net

Art of Destruction - 

In college, she was named Outstanding Editorial Cartoonist in 1999 and 2000 by the Leadership Institute.  Ms. Destruction has done political cartoons, comic book art, and also worked on canvas, shoes, and t-shirt design.  Among her influences are 1980s superhero art, television, bright, shiny things and trash culture.  

Her comic book teaser for “Edward and the Island” is all ready in stores, and she  is debuting her first original comic book series, the World Wide Tribune.

Brad Gregg - 

The compulsion to fill white sheets of paper with black lines, family, friends, sunsets, coffee, cigarettes and Saturday morning cartoons are what give this biped’s existence meaning. Brad Gregg is an artist and illustrator for the Oklahoma Gazette and has previously worked as graphics editor for Doublethink magazine and artistic director for Moxie magazine. He is knee deep in the animated adaptation of “the dominant hand,” with illustrated teasers to begin popping up in comic book stores in 2010.

Eric Gorman - 

Eric Gorman divides his time by working  at a sex shop, playing in a psychedelic band called The Gentle Art of Floating, and drawing comics.  “Long Distance” is a slice of Gorman’s upcoming work, “eggs,” which lands somewhere between Watterson’s “Calvin and Hobbes” and Crumb’s  “Mr. Natural.”

David A. Farris - 

Edmond author David A. Farris has been documenting true mysterious events in Oklahoma since the 1990′s. Two of his books, Mysterious Oklahoma and More Mysterious Oklahoma focus on events in the supernatural realm that have taken place in our state.
Be prepared to be surprised!

Oklahoma History Center - 

Did you know that Chester Gould, creator of the classic Dick Tracy comic strip, grew up in Pawnee, OK?  Discover this and more in The Uncanny Adventures of Okie Cartoonists, an interactive, kid-friendly exhibit at the Oklahoma History Center!  Oklahomans have played a major role in the evolution of comic books, comic strips, and editorial cartoons.  You will discover how industry pioneers such as Chester Gould, award-winning editorial cartoonist Jim Lange of The Oklahoman, and current Supergirl and Superman writer Sterling Gates have created, drawn, or written some of the most recognizable characters in American popular culture. 

Join us at the Oklahoma History Center June 12th for a truly uncanny adventure!

June 12, 2010 10am-3pm

$5 admission

Special appearance by Sterling Gates, Tulsa native and DC Comics writer of Supergirl

Discover which Oklahomans write and draw your favorite comic strips at www.okiecartoonists.org

Charles Martin and Will Weinke - 

Martin and Weinke debuted with 2008’s “the dominant hand,” which The Tulsa World predicted to be the “cult classic of our generation.”

      Despite rumors that the team were splitting up after only one book, the pair have committed to three books in three years starting with 2010’s “Edward and the Island.”

      The dark comedy set in heaven follows the struggles of a group of children trying to adapt to an Island created as an experiment for a new universe.

Bev Hale - 

Beverly Hale is the author of multiple Science Fiction/Fantasy/Horror short stories, as well as a novel. She also has published in the roleplaying game and comic book fields. Her work includes:  THE ESSENCE OF STONE,THE HAPPINESS BOX, and TEXISTANI: Indo-Pak Cooking From a Texas Kitchen from Yard Dog Press;  “Keeping It in the Family” in BIG OLE FACE FULL OF MONSTER; “Pest Control” in HOUSTON, WE HAVE BUBBAS! (Yard Dog Press) and BEST OF THE BUBBAS OF THE APOCALYPSE (BenBella Books); “World in the Balance” (with Michael B. Moe) from Mayfair Games; “Memorial” (with Michael B. Moe) in UNDERGROUND from Dark Horse Comics; “Arrest Report” (with Michael B. Moe) in NEGATIVE BURN from Caliber Press.  In her spare time, Beverly tutors in English, creates Steampunk Accessories and other art.  You can find out more about Beverly at www.bevhale.com. She is also active on Facebook, and LiveJournal

Equinox Comics - 

Equinox Comics. The new universe of comic book heroes and villains. Conceptualized at a very young age by best friends Aaron Ballinger and Timothy Lackey, the reality is finally at hand. Join brand new heroes as they fight for the good of mankind and beyond! Watch as villains carry out evil plots of destruction and world domination! The battle between light and dark is a never ending war. Be a part of the beginning and experience the birth of the Equiverse!

Www.equinoxcomics.com

Mike Kennedy - 

Oklahoma-born artist specializing in illustration and painting for over 30 years here doing shows in Oklahoma and Texas. Mike has done over 20 published comic books, and illustrations for several magazines, and for clients like Disney’s World on Ice, Ringling Brothers and others. Recently having shown in the first “Steampunk’ show in Tulsa with several other artists including former members of a group studio “Rough Cut” that Mike belonged to. Mike is currently working on several comic projects like “Worst Case Scenarios”, “Weird Zombie Horror”, and “Celtic Knights” due out spring 2011.

W.J.”Bill”Hodgson – Bill Hodgson has been writing, painting, and illustrating for over 30 years.  He has shown all over the country and beyond, in group shows, galleries, museums, conventions, ren faires, and more, winning over 300 awards.  He has over 1,000 originals in collections world-wide.  He lives with his veterinarian wife (Sherrie) and three kids on a wiener dog ranch in Piedmont, Oklahoma

Oklahoma Steampunk Expo - 

Ladies and Gentlemen! Boys and Girls! Step right up and welcome to the Carnivale! Immerse yourself in a world of splendor and delight, where things might be similar, but no two things are alike…

Inside our tented walls beyond our midway, a Grand Exhibition hall awaits with Merchants persuading you to stay. Baubles, trinkets, and jewelry for sale. Don’t forget your gadgets and gizmos, guaranteed never to fail! Snake oil for the weak, the tired, the old. A cure for each, for a handsome price sold!

A few steps further on, your ears catch a voice. A Talker on the bally, presenting you with a choice. For one slim coin, 1/10th of a dollar, a Mercury dime…come see a world, past the rules and the forbidden line. Death defying stunts, Strong men, and Ladies on the highwire. For an extra dollar, see a Fakir survive a mouthful of fire!

With all of the wonders you have seen, we assure you that none of it was a dream. The lights flicker out as the music begins to fade. Beauty begins to disappear, natural and manmade. We thank you for this great premier, and look forward to seeing you the following year…

DarkFaery Subculture Magazine - 

DFSM reflects a  unique lifestyle which both its readers and publishers
strive to be a part of. Featuring and attending local events and conventions, DFSM continues to transcend the labels and prejudices placed upon the freakish, interesting, weird world upon which we live.
Through the years it has been DFSM’s mission to bring together the
underground music, art, and fashion scenes who have, in the past, tried to
remain exclusive and reclusive unto themselves. DFSM is committed to stamping
out pretension among the genres so that fans and industry professionals can band
together to create something memorable, and darkly beautiful, for years to come.

Steven E. Wedel - 

Steven E. Wedel is a life-long Oklahoman best known for The Werewolf Saga books: Murdered by Human Wolves, Shara, Ulrik and Call to the Hunt (Scrybe Press). His other books include Darkscapes (Fine Tooth Press), Seven Days in Benevolence (Scrybe Press) and Little Graveyard on the Prairie (Bad Moon Books).

In 2011 Bloomsbury will publish his first young adult novel, Ghost Sickness, written with Carrie Jones. Bad Moon Books will release The Prometheus Syndrome in the fall.

Steve has held many jobs but is currently a high school English teacher. He holds a master’s degree from the University of Oklahoma and a bachelor’s degree from the University of Central Oklahoma.

Steve lives in central Oklahoma with his wife and four children.

Visit him online at www.stevenewedel.com.

Dennis McDonald - 

“13 Nightmares” is a collection of thirteen chilling tales written by a master of horror. Winner of Editor’s Choice by iUniverse Publishing, each tale takes you into the world of macabre and madness. Most of the stories are set in Oklahoma. One story is soon to be a short film shot in Tulsa.

About the Event: Heroes and Villains Indie Book Fair

Heroes and Villains is a collaborative effort between SoonerCon SciFi/Pop Culture Expo and Literati Press. The invite only book fair is an attempt to elevate the public’s awareness of the vibrant metro comic book and fiction culture.

About the Venue: Convergence OKC

Convergence is a community embracing restoration through awareness, hospitality, and solidarity.

as community…
Convergence is a community of people hoping (and doubting), imagining (and complacently unimaginative), and forging forward (or struggling move) with the belief that there is an ancient/unfolding Story of God that matters to all of life–civic, religious, social, family, art, neighborhood, career, commerce, etc. We pursue an awareness of God in all of life, in others, and evident in creation. We also go after a life beyond compartmentalization–one where we share all of life with others–not being okay with our Western/American tendency toward autonomy and individualism. We are made for life together, but we struggle to trust others with our life. We are made to fit into a larger story than just “me – although we are often skeptical/cynical of any grand narrative.

Check out our rhythms info to see more of the ways we gather as a community.

as neighborhood creative space…
Convergence is also a collective space to encourage and resource creativity, beauty, truth, and community/neighborhood efforts. The space we occupy has many facets: art gallery, music venue, shared workspace, children’s creative space, gathering space, and Shop Good.

Sponsored by Literati Press and Soonercon

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Quick Notes:

Please try and remember that the deadline for DFSM is the 27th of every month and let me know if you are going to make submissions. If you have something you've been wanting to write or photograph this would be a great issue to do it with. Submit your ideas and suggestion or work to duvy.dfsm@gmail.com

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